Tuesday, June 26, 2018

Illustrator Interview and Giveaway: Colleen Kong-Savage



I'm beyond excited to post my interview with the amazing Colleen-Kong Savage, illustrator extraordinaire, today along with a giveaway of her debut THE TURTLE SHIP (a hardcover signed by both the author and illustrator!) which came out with Lee & Low this month to great reviews, including a starred review from School Library Journal!


Long ago in Korea, a young boy named Sun-sin spent his days playing with his pet turtle Gobugi and dreaming of sailing around the world. As a poor villager, though, his dream to travel seemed impossible. Then one day, the king's court announced a contest to find the best design for a new battleship to defend the land from invaders. The winner would sail the ocean with the royal navy.

Determined to win, Sun-sin attempts to build an indestructible battleship with a few found items. Each attempt fails miserably against the powerful sea, and with it Sun-sin s dream also sinks to the bottom. Turning to Gobugi for comfort, Sun-sin notices how his pet turtle is small but mighty, slow but steady, and impossible to sink. Suddenly, Sun-sin has a great idea.

Loosely based on the true story of Admiral Yi Sun-sin and his Turtle Ship, this delightful tale by debut author Helena Ku Rhee and debut illustrator Colleen Kong-Savage introduce young readers to a fascinating episode in Korean history and naval engineering.

“Kong-Savage’s collage illustrations bring the story to life through almost 3-D imagery and are beautiful to look at…A great mix of myth and history for most picture book collections.” —School Library Journal starred review

“The splendor of Kong-Savage’s paper collages adds to the storytelling with rich overlapping compositions and patterns.  This debut packs a double punch modeling the experimental process while spotlighting an intriguing historical figure and his warcraft. —Kirkus Reviews

“…Kong-Savage’s striking, precise paper-collage scenes are equally effective in conveying the sweeping drama of ocean views and the personality and warmth in close-ups of Gobugi’s small, green face. An afterword about the story’s historical roots closes this engaging tale with a strong STEM focus from two debut creators.” –Publishers Weekly


Could you tell us about your previous illustration work?
In my other illustration life I make pictures and do graphic design for small businesses and nonprofits. I help create their visual brand to communicate their personality and what they’re about. I also have design a collection of cards called Konga Line. One day it will be a greeting card empire, but for now it’s distributed through Greeting Card Universe. 

What made you want to work with kids books?
Who wouldn’t want to work with kids books? You draw characters that make you grin as you go along. You play with a colorful palette. If you work in mediums that you can touch, people won’t consider you outdated. Nobody considers you old-fashioned for holding a pencil instead of a stylus.
  
What was your favorite illustrated book growing up?
The Monster at the End of this Book: Starring Lovable, Furry Old Grover! written by Sesame Street writer/producer Jon Stone, illustrated by Michael Smollin. It’s brilliant, and Grover is indeed lovable. 

Who are some of your favorite illustrators? Who do you look to for inspiration?
Two of my favorite illustrators are Robin Rosenthal (https://www.robinrosenthal.com/) and Mikela Provost (http://www.mikelaprevost.com/). I follow them on social media. Robin’s characters are such characters—some take themselves very seriously and have no idea how hilarious they are. Mikela’s images are also often funny, and very sweet. Her paintings are beautiful and warm. I’m also a fan of Lane Smith—I love his humor, and there’s always so much texture in his illustrations, no matter how complex or simple. Emily Gravett—again, I am charmed by characters—and Shaun Tan, I love them both for their mastery in drawing. Jane Ray for her color. Paul Zelinsky for being a chameleon, always experimenting with styles. And of course, Ezra Jack Keats for his beautiful collage/painting style, for color, for his sweet characters, and because his pictures just make me feel good inside.
  
What initially drew you to THE TURTLE SHIP?
I was drawn because the editor said, “It’s a historical fiction, so it involves research,” which made the assignment sound like a lot of work (and it was), but now I had an excuse to learn about a whole new culture in 16th century Korea. What did they wear? Where did they live? What does the palace look like? What’s the story behind the turtle ship? Who is this Admiral Yi Sunsin? Why is he such a hero? I’d go to the art museum and call it work. I’d watch a blockbuster Korean movie and call it work. Surf the internet… Creating the world in which this story existed was like assembling a puzzle.
  
Could you talk a bit about the process you went through illustrating THE TURTLE SHIP?
Half the process was revision: drawing, rethinking, redrawing with feedback from the art director. I did four rounds of pencil sketches for almost every spread. Final illustrations were done in collage, which made a mess of my apartment (paper bits everywhere), and now color was in the mix. So after sending Lee & Low home scans of “final” illustrations, more edits were requested and made before I delivered final artwork to the office to be professionally scanned. Upon delivery, I spread all the collages across the conference table, and folks in the office stopped by to oo and ah—it was so gratifying… And after I received the professional scans of the original artwork, another round and a half of edits done in Photoshop. 

Was THE TURTLE SHIP different from your usual illustration process?
Yes. Usually when I illustrate for clients, they say, “Great!” My clients usually aren’t art people—that’s why they hire me and trust my judgement. With a picture book art director and editor, it’s a different story. I had a lot of freedom, but each time I came back to them, they would point me in a slightly different direction to strengthen the story or consider the reader. 

What was it like working with your art director and Lee & Low?
Awesome! This was my first picture book assignment, so I learned a ton. I learned how much processing goes on before settling on a final image. I learned simple rules, like illustrate all motion going from left to right to match the flow of the pages, or let the reader see the character’s face as much as possible because that is how readers connect best. And with repeated prodding, I learned just how complex in detail I can make my art. I’d get pages of notes, and feedback was always clear. If I disagreed with a call, the art director and editor always heard me out and sometimes even agreed with me. The process was a dialog. 

What was the most challenging part of illustrating THE TURTLE SHIP for you?
The most challenging part was trying not to go blind as I cut out all the tiny details. My eyes got tired easily. I finally got a magnifying lamp. Before that, I would literally not be able to see what I was cutting. I was looking at a blur in my fingers as I snipped the paper, hoping it was coming out right.

What’s the biggest lesson you’ll take away from the process?
Biggest lesson: just when you think you’re pretty darn good at what you do, you’ll discover there’s a whole lot more to learn.
  
What would you say to others who aspire to illustrate books for children?
The process of breaking into the industry is a marathon, so be prepared. It can take years, even if you are a fantastic illustrator. There is so much noise, so much talent, and I think publishers are hesitant to take chances with new artists because they have no idea how easy or difficult you will be to work with. You need to put in the hours. Always be building up your chops because the competition is fierce, always be looking at what’s out there in picture books and through social media. Keep sending out your work. The amount of your success directly correlates with the amount of rejection you can tolerate (illustrator David Gordon taught me that). Join SCBWI, go to their conferences to gather information, feed your spirit, meet fellow artists/writers, and be a part of a community. This is a tough climb with some jagged rocks. Connections you make with fellow creatives will keep you going.

Any fun facts about you?
I fall asleep a lot when I sketch, particularly when I don’t know what I’m doing, and I’m struggling with the composition. Brain goes on strike and shuts down. Somewhat inconvenient.


Colleen Kong-Savage is a full-time illustrator and graphic artist. When she first moved to New York City, Kong-Savage worked at an art supply store, where she spent half her paycheck on decorative papers. For this debut picture book, she spent countless hours researching the clothes, living conditions, and landscape of the Joseon Dynasty, and then finding the right paper for each item. The papers used in this book come from around the world, including Korea where traditional paper is handmade from mulberry bark. Kong-Savage lives in New York City.

You can pick up a copy at AmazonBarnes & NobleIndieBound, Lee & LowTarget and your local bookstore!

You can follow Colleen on InstagramTwitter and go to her website!


  • The giveaway is open to US entrants only.
  • When the winners are chosen, it will be announced here and the winners will be emailed.
  • Please enter your email address in the Rafflecopter form and not the comments.

Monday, March 5, 2018

SELFIE SEBASTIAN by Sarah Glenn Marsh: Story Time and Giveaway!

I'm excited to share my very first Author Story Time with Sarah Glenn Marsh. In the video below, Sarah gives a sneak peak of her debut picture book, SELFIE SEBASTIAN, publishing with Sterling tomorrow (March 6th, 2018)! I am also giving away one hardcover copy of the book to one lucky winner! Enter below. 


Sebastian is one handsome fox—and he really, really loves to take selfies. But somehow, no matter how camera-ready he is, his pictures always lack a certain something. And he can’t put his paw on exactly what. So Sebastian sets off on an elaborate quest to take the perfect selfie, dashing from a glamorous red carpet in Hollywood to the vast expanse of the Grand Canyon. He even zooms to the Moon! Still, none of Sebastian’s photos make him happy. Could it be that the secret to his special selfie is right where he started . . . at home, with his friends?




Sarah Glenn Marsh writes young adult novels and children’s picture books. An avid fantasy reader from the day her dad handed her a copy of The Hobbit and promised it would change her life, she’s been making up words and worlds ever since.

When she’s not writing, Sarah enjoys watercolor painting, ghost hunting, and pursuits of the nerd variety, from video games to tabletop adventures. She’s never met an animal or a doughnut she didn’t like.

Sarah lives in Richmond, Virginia with her husband and their tiny zoo of four rescued greyhounds, three birds, and many fish. She is the author of  Fear the Drowning Deep, the Reign of the Fallen duology, and several picture books.

You can pre-order SELFIE SEBASTIAN on Amazon, Barnes & Noble and IndieBound

Follow Sarah on Twitter @SG_Marsh and visit her website.



  • The giveaway is open to US entrants only.
  • When the winners are chosen, it will be announced here and the winners will be emailed.
  • Please enter your email address in the Rafflecopter form and not the comments.

Friday, February 9, 2018

Cover Reveal: Stef Wade's A PLACE FOR PLUTO illustrated by Melanie Demmer

I am so excited to do Neverending Stories' first ever cover reveal for the wonderful Stef Wade's A PLACE FOR PLUTO illustrated by Melanie Demmer which comes out this August/September with Capstone

Pluto got the shock of his life when he was kicked out of the famous nine. His planet status was stripped away, leaving him lost and confused. Poor Pluto! On his quest to find a place where he belongs, he talks to comets, asteroids, and meteoroids. He doesn’t fit in anywhere! But when Pluto is about to give up, he runs into a dwarf planet and finally finds his place in the solar system. This feel-good picture book combines a popular science topic with character education themes of self discovery, acceptance, and friendship. It has bonus material in the back matter to support curriculum. 

Ok, get ready! The cover is about to be revealed!

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Is this not the cutest? I totally want to be Pluto's friend and maybe it's just me but this brings me back to 4th grade when I learned about the planets and Pluto was still a planet. My Very Energetic Mother Just Served Us Nine Pizzas anyone? :)

Melanie Demmer perfectly captured Stef's text. Can't wait to see this on shelves! 

You can add it on Goodreads here! and I'll add pre-order links when they're up! Comment below. We'd love to hear what you think!


Stef Wade used to write about cardboard boxes, but thinks writing books is far more exciting.
She was the co-creator and writer for the former cooking and home blog Haute Apple Pie, featured in Taste of Home, local Milwaukee press and nominated for multiple web awards. Stef is a Chicago-born media maven with a passion for philanthropy, fashion and Italian beef sandwiches.
She holds a BA in advertising from Marquette University and an MBA in Integrated Marketing Communication from DePaul University.
Stef is a member of the Society of Children’s Book Writers and Illustrators (SCBWI). She’s bounced all over the midwest with her college sweetheart husband and her three historically and literary named brood of boys and currently resides in the greater Milwaukee area.
You can follow Stef on Twitter and visit her on her website!

Melanie Demmer is a freelance illustrator and designer in animation based out of Los Angeles, California.

Originally from Michigan, Melanie is a graduate of the College for Creative Studies in Detroit, where she earned a BFA in Illustration.

Melanie is represented by the Bright Agency.

She has previously worked as a 2D Prop Designer at PUNY Entertainment on a cartoon for Amazon called Danger and Eggs.

You can follow Melanie on Instagram and Twitter or visit her on her website!

Tuesday, September 5, 2017

Author Interview: Betsy Aldredge and Carrie Dubois-Shaw

 I virtually sat down with co-authors Betsy Aldredge and Carrie Dubois-Shaw to talk about writing, becoming published authors and their debut YA, Sasquatch, Love and Other Imaginary Things which came out in August to some great reviews and nice buzz! 

I'm also running a giveaway. One lucky winner will receive a finished, autographed hardcover copy of Sasquatch, Love and Other ImaginaryThings along with some swag! Enter at the bottom of the post below through Rafflecopter. You can enter between 9/6 at 12am through 9/13 at 12am. Get those entries in!  









Pride and Prejudice meets Animal Planet’s Finding Bigfoot in this humorous and heartfelt debut about a loving, quirky family on the hunt for the mythical Sasquatch.
Hunting for monsters was never so awkward. 
It’s bad enough that Samantha’s parents, charter members of the Northern Ohio Bigfoot Society, have dragged their daughter around forever, hunting for yetis. But now they’re doing it on national TV, and worse, in front of an aristocratic prep-school crew including a boy who disdains Samantha’s family.
But when he scorns her humble Ohio roots, she becomes determined to take him down. As they go to war, their friction and attraction almost distract them from the hint that Sasquatch may actually be out there somewhere…
PRAISE FOR SASQUATCH:
Samantha’s first-person narration is marked by her sarcastic, wry, and delightfully snarky humor. ‘Squatching’ doesn’t get any funnier than this.” Kirkus
“The most hilarious, charming, feminist Sasquatch-hunting book ever to grace a bookshelf.” –Alison Cherry, author of For Real
“I fell head over Bigfooted heels for this delightfully quirky and downright hilarious debut! Sasquatch, Love, And Other Imaginary Things will have you believing in adorkably ever afters and more.” –Darcy Woods, award-winning author of Summer of Supernovas
“Everything you want in a Jane Austen retelling: reality TV, Sasquatch sightings, and young love at odds.”– Stephanie Scott, author of Alterations, a 2017 RITA® Award Finalist
“An original, magnetic, and endearing debut seamlessly spun by two sharp new voices. Fans of nature, Austen, family, reality TV and Wood Apes will devour this story (that basically means everyone. Yes, I mean you. Stop reading my raving–get to reading this book already).” –Lindsey Leavitt, author of GOING VINTAGE
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This was your first book. What was the most surprising part of the publishing process for you?
Book people are the best. The most surprising thing has been how awesome and supportive other writers, bloggers, and readers have been. It’s like finding “your people” for the first time in high school. Also, publishing is much slower than we imagined. There’s a whole lot of waiting. We think whomever first said “patience is a virtue,” must have been a writer!

Every author has their own creative method. What is each of yours like individually, and can you describe your process for creating books together?
Betsy: I like to have a basic roadmap of where a story is going but be surprised along the journey. Some characters come to me fairly fully formed and some surprise me.
Carrie: I like more structure and to make a detailed outline of everything before digging in. And then I break the outline down into very small, bite-sized pieces and work on it bit by bit. Otherwise I feel overwhelmed.

Together we have a method that works for us. We brainstorm and plot together. Then Betsy tackles the first, messy draft and just writes the heck out of it. Then she sends it off to Carrie to be whipped into shape. Carrie then does all sorts of cool timelines, graphs, and other things that involve tons of color coded post it notes in order to revise it and shape the story. After that huge overhaul, we make multiple more passes for different reasons (setting, minor character arcs, etc.) until it’s in good enough shape to be read by other people. Then, based on feedback, we revise some more.

What drew you to YA (as opposed to writing for younger kids or adults)? YA audiences are so passionate. We really feel like what we read at that point of our lives had a profound effect on us. Also, we’re not sure we ever got over high school. Does anyone?

If you could give one piece of advice to aspiring authors, what would it be?
Keep writing, and make friends with other writers whether at conferences, through online contests, or writers groups. It’s so much better when you have that support.

What was the most interesting (or funniest, weirdest, most memorable, etc.) fact you learned in your research for this book?  Researching this book was a blast. We learned a lot about different methods of tracking Bigfoot, from studies animal droppings and foot prints to knocking on trees. There’s a lot to it!

This book has such a great cast of characters. Who’s your favorite?
Betsy: I think while I’m fond of all the Berger sisters and their parents, some of the smaller characters were extra fun to write, like Hal the camera guy who’s a little too obsessed with Roswell and Yoda, but also loves a good romance.
Carrie: Hal’s my favorite too, with Caroline a close second. It was so much fun to flesh out her character from typical pretty, rich, mean girl into something more three-dimensional and interesting. (That was a great suggestion from our agent!)

Why Sasquatch (as opposed to any other mythical creature)? Bigfoot believers are so passionate and have such a good sense of humor about themselves that the subculture just seemed ripe with opportunities for high stakes and hijinks…

There have been supposed Sasquatch sightings all over the US. What made you decided to set the story in the Pacific Northwest? 
There’s something magical about the huge trees and forests there that appealed to us. We studied Shakespeare in college and loved the idea that forests are a metaphor for change. Characters go into the woods and come out transformed - much like the transformations we go through when growing up. It seemed perfect.

If you could meet any creature from myth, folklore or legend, other than Sasquatch, what would it be and why? 
Betsy: I’d have to say a unicorn, because it would make me much cooler in the eyes of my 7-year-old daughter if I could hang out with unicorns.
Carrie: I’m really interested in the Mothman right now. It’s a giant moth…who is also a man. That’s just awesome. Of course his appearance usually foretells an impending disaster so maybe meeting the Mothman is not a great idea.

Are you Sasquatch believers yourselves?  Sure! Why not? There are stranger things out there...like the platypus.
 You can buy Sasquatch from these retailers: Indie BoundBarnes & NobleAmazonTarget and Simon & Schuster.
You can visit Betsy and Carrie’s website and follow them on Twitter:  @carriedubois @BetsyAldredge 


Monday, January 30, 2017

Author interview: Erica M. Chapman

I virtually sat down with author Erica M. Chapman to talk about writing, becoming a published author and her debut YA, Teach Me To Forget which came out in December to some great reviews and nice buzz! It’s on the Best YA Books of December list from Bustle, Barnes & Noble’s Most Anticipated December YA books, The Children’s Book Review Best New Young Adult Books of December 2016 and was named one of Goodreads’ Best YA Books of December!
I'm also running a giveaway. One lucky winner will receive a finished hardcover copy of Teach Me To Forget along with a free digital download of the audio book! Enter at the bottom of the post below through Rafflecopter. You can enter between 1/31 at 12am through 2/7 at 12am. Get those entries in!  
Teach Me to Forget is the story of Ellery, a girl who learns how to live while waiting for the date she chose to die.

Ellery’s bought the gun, made arrangements for her funeral, and even picked the day. A Wednesday. Everything has fallen into place.
Now all she has to do is die.
When her plans go awry and the gun she was going to kill herself with breaks, she does the one thing she has control over–return it and get a new one. After tormenting the crusty customer service associate by trying to return the gun with the wrong receipt, Ellery gets caught by the security guard who also happens to be someone she knows–the annoyingly perfect Colter Sawyer from her English class.
Colter quickly uncovers what she’s hiding and is determined to change her mind. After confessing a closely held secret of his own, he promises not to tell hers. Ellery tries to fight her attraction to him as the shadows of her past cling tight around her, but when she’s faced with another tragedy, she must decide whether her love for one boy is more important than a lifetime of pain.
PRAISE FOR TEACH ME TO FORGET
“In this stunningly brave and necessary debut, Erica M. Chapman takes us on a journey to the edge and back—exploring grief, depression, and suicide with candor, insight, and above all, hope.”–Amber Smith, New York Times bestselling author of The Way I Used to Be
“A beautifully crafted, dark, and heartbreaking look at depression and suicide. Ellery’s story is needed and necessary; Chapman is a writer to watch.”– Kathleen Glasgow, New York Times bestselling author of Girl in Pieces
“Ellery’s voice is engaging and authentic, and her edgy black humor comes into play…. Sadness gives way to redemption and an unforced hope in this thoughtful read.”Kirkus Reviews
Chapman has crafted a hauntingly beautiful story with richly developed characters. A moving tale to recommend, especially to readers who loved Jennifer Niven’s All the Bright Places.”—School Library Journal
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So, this is your debut YA. What was the process like for you from query to book? What was your favorite part of the process? Once I talked to you on the phone I knew we had the same taste so I knew our partnership would create some awesome stuff (I was right!). We were on submission for a while but you always kept my hopes up. When I was ready to throw in the towel you suggested a newer imprint to sub to... and that was Merit Press! Thank YOU, it's because of you. Never give up hope people. You just never know... My favorite part of the process is getting that first response (usually a pass but ya never know) once you go on submission. It makes it a lot more real and gives me that determination to keep going ;o)
How does it feel to have TMTF out in the world? It's pretty surreal. At first it was really weird knowing that people were reading my words and not knowing what they would think. I've gotten used to it now and I'm really enjoying the ride. I hope I can help people feel less alone and maybe give those who have been fortunate enough not to have depression or suicidal thoughts a glimpse into what it may feel like. I've been so touched by the reviews and messages I've received so far. 

Every writer has a different writing process. What is yours like? Do you have a place or time you like to write? Hmm, well I write in my recliner mostly at night, but I'm moving and planning on getting a desk and have an "office," so we'll see how that goes. I write quick first drafts then revise for a while, make sure I have readers read it after the second revision, then I send it to you! Then I typically revise a couple more times... Lots of revision!! I also LOVE to read my drafts on my kindle paperwhite, I always find mistakes and plot holes I didn't on the screen.

Your opening is quite impactful. What led you to start the book this way? Thank you ;o) Well, it seemed natural to me to start it on the day she wanted to kill herself but I also wanted readers to get to know Ellery and care about her before we followed her down the rabbit hole... Having her talk to Jackson and say goodbye lets the reader get to know her and their friendship which is important so we know what she has to lose. Also, I like books that just start right in, grab hold of you and don't let you go! Interesting side note, the beginning never changed in all the revisions. It's still the same as it was the first day I started writing it.

How do you come up with your characters? Do you draw inspiration from people in your life? I think it's hard not to draw from people in your life or people who influence you in some way. I think there's definitely parts of me in Ellery and Colter. I talked to some friends who helped me flesh out Ellery a lot so she has influences from them too. But more than anything, characters I write embody what I'm feeling at the time, characteristics are fluid and organic most of the time. It could also be that I read an article on sand art and decide that's what would be perfect for a character to love, then I research it and add it. So I pull from all around me for inspiration.

Suicide is a tough topic to talk about. Do you hope that this will spark conversation among teens and parents? Yes, I would be so honored if TMTF had anything to do with teens and parents, really anyone, talking to each other about the topic of suicide. It's SO important. I think in addition with starting the conversation, we also need to accept each other for who we are instead of who we want each other to be. I've said that in a couple other interviews and I'll continue to say it, that's an important layer to peel away.

Did you have a playlist or any songs that you liked to listen to while you wrote? What would Ellery’s theme song be? Yes! I shared my playlist on All The Write Notes blog last year, but I can list them here. It's rather long as music is a huge part of my life and in many ways saved my life as a teen. I have a music note tattoo on my wrist to remind me that there is always hope. As for Ellery's theme song... there are SO many songs that represent her. Broken Hearted Girl, The Lonely, Heavy in Your Arms. So many. Colter's would be the last one, Your Guardian Angel By The Red Jumpsuit Apparatus. 

Heavy in Your Arms – Florence + The Machine: Ellery and Colter struggle through the book to love each other. She feels a burden to him on more than one occasion and this song beautifully represents that struggle.
Broken Hearted Girl – Misty Boyce: Pretty simple. Ellery’s heart is broken for a lot of reasons. This is a soft song that tells that story.
Mad World – Gary Jules & Michael Andrews: I’ve always loved this one. It’s so haunting and the lyrics have always affected me. Ellery’s world is a bit mad.
You Found Me – The Fray: Once she meets Colter she feels as though someone finally notices her, although she’s not happy about it.
Oblivion – Bastille: This is such a sweet song. I can see Colter singing this to Ellery.
The Lonely – Christina Perri: Ellery is very lonely, and this song’s lyrics are just so perfect for her. “I’m a shell of a girl that I used to know well.” It’s just so beautifully written.
I Should Have Known – Foo Fighters: This could work for either of them, really. It’s a song about regret which they both have painful reminders of constantly.
Breathe Me – Sia: This song. You can just hear the emotion in Sia’s voice and it so perfectly matches Ellery’s state of mind in this story.
Tourniquet – Evanescence: I love a good Evanescence song and this one really represents Ellery’s struggle with what she chose to do and the decisions that come along with that.
Wait – M83: “More Time” is the lyric that is uttered through this song and that’s just what Colter wants for Ellery. It’s such a simple song but it says so much.
How To Save A Life – The Fray: I listened to this song on repeat bawling my eyes out while I wrote this book. We just want Ellery to want to live but how do you do that?
Indifference – Pearl Jam: Ellery wishes she could care about what’s going on in her life but more than upset, she’s indifferent to it. When I discovered this song (and heard it live OMG amazing) I knew it was perfect for TMTF’s playlist.
Comfortably Numb – Pink Floyd: Ellery has a lot of moments where she just wants to be numb to the world. To forget everything that’s happened to her.
Black – Pearl Jam: Such a haunting song. The pain in Eddie Vedder’s voice mirrors that of Colter’s so much.
Untitled – Simple Plan: This is the perfect song for the tragedy that leads to Ellery’s attempted suicide in the beginning.
Trembling Hands – The Temper Trap: One scene in particular comes to mind when I hear this song. A very heated one with consequences that affect both Ellery and Colter.
Asleep – The Smiths: At some point Ellery just wants to sleep and get rid of the pain. Such a sad song.
I Will Follow You Into The Dark – Death Cab For Cutie: There comes a time when you have to choose to join or abandon someone in pain. I think this represents that choice.
Your Guardian Angel – The Red Jumpsuit Apparatus: Colter wants nothing more than to protect Ellery and save her, be her guardian angel.

What scene was the hardest for you to write? Oh, romance can be really hard for me, but the chapter where a very sad event happens that makes Ellery feel deeply for the first time in a long time was really hard to write because it felt so real to me. I keep a lot bottled up myself so when I'm writing it, it's like I'm opening my own wounds too. I think they become the most beautiful pages but boy they can be tough to write!

You’re very active on social media. What is it like being a part of the YA writing community? Any tips for first time authors looking to build a platform? I love to make connections with people so social media has been a great outlet for that. I've been on social media a long time--way before I ever had a published book. I love being a part of the YA writing community. It's full of people who are advocates and lend their voices for incredibly important causes. They're giving and understanding and I'm proud to call many of them my friends. Social Media is how I met a lot of the friends I have. I would say to first time authors to follow certain hashtags to learn more, like #amwriting #10queries #pitchwars, #writing #YAlit and many more. Meet other writers and share ideas. For debut authors I would say to join a debut group either on Facebook, or a blog. The Sweet16s (a 2016 debut MG/YA group) were amazing and I'm so glad I joined. I would also say, don't worry about promoting your book so much as being genuine and talking to others. That's the best promotion you could have in my opinion ;o) Also, share others' tweets and articles, and blogs by RTing, and promote books you love and support your fellow authors. 

What’s your favorite(s) recent YA that has come out or is coming out? Did you have a favorite book growing up? Ohhh, there are many. I adored SUMMER OF SUPERNOVAS by Darcy Woods, it was such a fun romantic read, GIRL IN PIECES by Kathleen Glasgow was so gritty and unforgettable, THE WAY I USED TO BE by Amber Smith was so beautifully written and important, STALKING JACK THE RIPPER by Kerri Maniscalco was mysterious and lyrical. I can't wait for her next one out this year! I've read so many lately that are just SO good! Growing up I loved the Baby-sitters club books by Ann M. Martin and Christopher Pike books! 

Anything else you’d like to say?

I just want to thank those of you who've read TEACH ME TO FORGET, who have talked about it, shared tweets and posts, thank you for continuing to make my dream come true.

Follow Erica on Twitter @ericamchapman and visit her website: http://ericamchapman.com/

You can order Teach Me To Forget here: Amazon | Barnes & Noble | IndieBound 

And an audio edition is also available from Audible

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Friday, December 2, 2016

Happy Book Birthday to Teach Me To Forget by Erica M. Chapman!

Erica M. Chapman's debut YA Teach Me To Forget published today to some great reviews and nice buzz! It's on the Best YA Books of December list from Bustle, Barnes & Noble's Most Anticipated December YA books and was named one of Goodreads' Best YA Books of December!

Teach Me to Forget is the story of Ellery, a girl who learns how to live while waiting for the date she chose to die.
Ellery’s bought the gun, made arrangements for her funeral, and even picked the day. A Wednesday. Everything has fallen into place.
Now all she has to do is die.
When her plans go awry and the gun she was going to kill herself with breaks, she does the one thing she has control over–return it and get a new one. After tormenting the crusty customer service associate by trying to return the gun with the wrong receipt, Ellery gets caught by the security guard who also happens to be someone she knows–the annoyingly perfect Colter Sawyer from her English class.
Colter quickly uncovers what she’s hiding and is determined to change her mind. After confessing a closely held secret of his own, he promises not to tell hers. Ellery tries to fight her attraction to him as the shadows of her past cling tight around her, but when she’s faced with another tragedy, she must decide whether her love for one boy is more important than a lifetime of pain.
PRAISE FOR TEACH ME TO FORGET
“In this stunningly brave and necessary debut, Erica M. Chapman takes us on a journey to the edge and back—exploring grief, depression, and suicide with candor, insight, and above all, hope.”
– Amber Smith, New York Times bestselling author of The Way I Used to Be 

“A beautifully crafted, dark, and heartbreaking look at depression and suicide. Ellery’s story is needed and necessary; Chapman is a writer to watch.”
– Kathleen Glasgow, New York Times bestselling author of Girl in Pieces 

“Ellery’s voice is engaging and authentic, and her edgy black humor comes into play…. Sadness gives way to redemption and an unforced hope in this thoughtful read.”
Kirkus Reviews 

Chapman has crafted a hauntingly beautiful story with richly developed characters. A moving tale to recommend, especially to readers who loved Jennifer Niven’s All the Bright Places.”
—School Library Journal 

“Chapman has brilliantly written from a perspective of authenticity that produces a genuinely wrenching story. Ellery is heartbreakingly realistic, and readers will find themselves lost in her turmoil. Fans of Laurie Halse Anderson and Jennifer Brown will clamor for this debut novel from an author whose dark and emotional story will resonate with teen readers.”—VOYA Magazine

You can buy Teach Me To Forget from these retailers: Indie BoundBarnes & Noble, Amazon and Adams Media Bookstore.

Also available in audio from Audible!

You visit Erica's website and follow her on Twitter @ericamchapman! Watch our for Erica's author interview right here on my blog soon!

Tuesday, November 15, 2016

Happy Book Birthday to Ed Young's The Cat From Hunger Mountain!

Caldecott winner Ed Young's latest picture book came out today from Philomel, an imprint of Penguin Random House. The Cat From Hunger Mountain, which he wrote and illustrated, has published to amazing reviews (including three starred reviews!), was selected as one of New York Times Best Illustrated Books of 2016, an Amazon Best Book of the Year, is one of Bookish' Best Children's Books of Fall 2016 and is currently a #1 New Release in the Children's Asian Literature category on Amazon. 

In a place called Hunger Mountain there lives a lord who has everything imaginable yet never has enough. To satisfy his every desire, he hires builders to design the tallest pagoda; a world-famous tailor to make his clothing from silk and gold threads; and a renowned chef to cook him lavish meals with rice from the lord's own fields. What more could he possibly want?

Yet when drought plagues the land, Lord Cat is faced with his first taste of deep loss, he ventures down the mountain and what he discovers will change his life forever.

Rendered in exquisite mixed-media collage, Caldecott Medalist Ed Young's deceptively simple fable is a deeply affecting tale about appreciating the value of treasures that need not be chased.

“Young is at the height of his powers in this fable that offers a feast for the eyes, mind, and soul. A visual masterpiece.”--Kirkus Reviews starred review

 “compelling fable…is crucial for humanity and will spark meaningful classroom conversations.”--School Library Journal starred review

“Young crafts his images from a variety of patterned papers and photographs, a repurposing that gracefully echoes the story’s themes.”--Publishers Weekly starred review

You can buy The Cat From Hunger Mountain at AmazonBarnes & NobleIndie Bound,  Penguin Random House and your local bookstore!

Learn more about Ed and his boyd of work at his website!